Moroccan multidisciplinary artist, born in 1995 in Marrakech. I graduated from the Ecole Supérieure des Beaux-Arts in Casablanca. I base myself on a conceptual approach and a contemporary vision. I have participated in several group exhibitions, solo shows and art fairs nationally and internationally.

Abdessamad Bouysramne explores the idea of human influence with the process of time in his works. Since we are the impacts of the future and we are aware of the visual dimension that writing invokes, which transcends geography and time, he creates in his works visual archaeological spaces intended to awaken the common human and touch the intersections of civilization. The material and immaterial heritages that we possess today arouse our astonishment and shape it. These legacies came from the depth of knowledge and culture that characterized man throughout history, and among the most notable monuments that attracted Bouysramne's attention were those written, whether on paper , in leather or engraved on the rock. Bouysramne was amazed by this recorded human trace, which also gave him a philosophical and symbolic vision linked to many cultures since he was in search of civilized common goods.

Furthermore, the written record – whether written, engraved, drawn, etc. – formed the basis for the growth of science in all its manifestations. This inspired the artist to choose writing as a subject of study and endeavor, as well as a crucial component of the visual work he is attempting to construct. Although many of them have not withstood intentional and unintentional burns and damage, handwriting or intaglio or bas-relief inscriptions in our language are considered to have a civilized spirit that has resisted and resists to the vicissitudes of time. This gives them a mythological dimension, which Bouysramne pursues in his artistic representations.

Abdessamad Bouysramne attempts to capture this conflict between good and evil in the visual space of his paintings. It emphasizes positive and luminous influence through an aesthetic based on personality, as an expressive unity at the top of the world of ideals… The recipient is made aware of the extent to which man is transformed into evil by forms the most naked of decadence, because it leaves room for unfavorable and bad repercussions in a language is a component aesthetic which can be adapted to the different forms and currents of contemporary art, according to Bouysramne's artistic interpretation of the Arabic character.

As the founding father of Cubism, Pablo Picasso said: “Every time I wanted to come to a point, I found that Arabic writing preceded me. » From the same point of view, Abdessamad Bouysramne's experience extends to writing and calligraphy in the experience with the aim of developing new dynamics and trends in contemporary art.