Abdellah, is a native of Tetouan, and this is not just a geographical indication since he owes this city much more than a simple contextual mention. Indeed in Tetouan there is the country's national school of Fine Arts, which initially refuses him: parental refusal, inadequate diploma so he takes up the school's headquarters as a free candidate after a decisive meeting with the artist Younes Rahmoun.

Finally registered in 2014, he developed a taste for ultra-contemporary mediums such as installation or performance, guided in his choices by the artist professor Faouzi Laatiris. Finally, Tetouan is also a mecca of Arab-Muslim, philosophical and meditative spirituality, which perhaps explains Abdellah's research subjects, who particularly questions metaphysics: life and death; supernatural strength and energy; place and definition of the human, etc…
Yes, Abdellah and a Tetouanese artist and this is not just an allusion to his civil status.

In his work, Abdellah Kanjaa considers the interdependencies at play in nature and considering the origins of our Worlds.
Through its installations which mobilize different organic materials and elementary energies such as: slate, water, textiles or even the tree as an aesthetic and metaphysical structure.
Recently his work considers the animal world in a zoomorphism which highlights the qualities of strength, beauty and power, the characteristics of which he shares with humans.
This object lesson inspired by our natural environment could be put at the service of an energy favorable to a new vision of the world in harmony and peaceful, virtuous and sustainable coexistence.